@MACHINA is an audiovisual installation in the machine room of the LWL Industriemuseum Ziegelei Lage. The relationship between man and machine is spatially visualized with projection mapping, techno and light installations over 3 floors around the edge mill.

The project arose from the idea of visualizing the music, the sound of the cello, in an abstract yet understandable form. The cello serves both as an audio medium and as a visual medium. A 3-dimensional cello floats in space, next to the cellist, only in a highly abstract form, a perspective of the cello from the inside shows lines that not only rotate, but also react to the sound.

White lines dance in waltz time on a black background. Themes and movements in Suite No. 2 for small orchestra are stylistically visualized as vibrations. Only slowly do the clouds of sound reveal details of instruments: Instruments that can also be heard: flute, clarinet, trumpet, bassoon. The stylistic reduction of the video focuses on the music of Igor Stravinsky and, skillfully implemented with the latest technology, emphasizes every single note of the score, which is more than a hundred years old. The viewer follows the dramaturgy spellbound until the big long shot. -Simon Binnenmarsch

The project arose from the idea of visualizing the music, the sound of the cello, in an abstract yet understandable form. The cello serves both as an audio medium and as a visual medium. A 3-dimensional cello floats in space, next to the cellist, only in a highly abstract form, a perspective of the cello from the inside shows lines that not only rotate, but also react to the sound.

A fateful excuse, an absurd excuse, between student and lecturer.